Saturday, 25 October 2014
Monster Mash video by The Daisy Chains
Here's a treat for Halloween. Britain's saxiest sextet, the all-girl rock'n'roll band The Daisy Chains have just released a crazy black and white video of the Monster Mash. Click here to see it. And look out for my interview with these queens of the vintage scene in a forthcoming issue of Classic American.
Sunday, 19 October 2014
Jerry Lee Lewis 'Rock and Roll Time' album review and 'The Knox Phillips Sessions' album review
![]() |
| The cover of Jerry Lee Lewis' new album Rock and Roll Time finds him outside the Sun studios where he first recorded 58 years ago. Dig those flip-flops, Killer! |
Goodness gracious, there’s a whole lotta Jerry Lee Lewis around this autumn, including a brand new album, an album of previously unrecorded material from the 70s and an authorised biography.
I’ve had all three for a while now and can say Lewis fans are in for a treat!
The new album, Rock and Roll Time, which comes out at the end of this month is one of the best Jerry Lee has ever recorded. It’s a taut 30 minutes of verve and energy up there with his 2006 duets album Last Man Standing and older classics such as his eponymous Elektra album from 1979. You’d never think the Killer was pushing 80. He sounds no different to he did aged 45 as he hammers into one of the greatest songs he’s ever cut, a blues number by Bob Dylan called Stepchild.
Other album highlights include the title song, a beery anthem penned by Kris Kristofferson, an energetic romp through Sick And Tired and an inspired cover of Lynyrd Skynyrd’s Mississippi Kid.
A growling Blues Like Midnight continues the strong thread of blues tunes while the double time piano on Chuck Berry’s Promised Land takes us out on a high.
![]() |
| Blasts from the past! A private stash of previously unreleased Jerry Lee Lewis music from the 70s on new CD The Knox Phillips Sessions. |
The opening Bad, Bad Leroy Brown may prove too wild for some tastes. The Killer was playing for fun, making things up as he went along and probably never expected the track to be heard. It might have been a rehearsal or just something to vent his unedited creativity on.
As the album progresses, things get a lot tighter. A medley of Chuck Berry songs - Johnny B. Goode and Carol - rocks on the very edge of control. A mash up of Music! Music! Music! (“put another nickel in the Nickelodeon”) and the instrumental Canadian Sunset, meanwhile, show a previously unseen side of Lewis’ musicality.
Best track is the closing Beautiful Dreamer which Jerry Lee turns into a narration, telling the story of 19th century composer Stephen Foster between singing snatches of one of his most famous songs. This song should have been on one of Lewis’ country albums of the time and we can be grateful to Knox Phillips for finally making it available.
I’ll be reviewing the new book, Jerry Lee Lewis: His Own Story in a forthcoming issue of Country Music People, so will save my comments on it till then.
Until then I can barely say how much I’m enjoying Rock and Roll Time. I gave it a 5-star review (the maximum stars) in this month’s Country Music People, but really it deserves even more than that. Ten gold stars, perhaps. I haven’t stopped playing the album at least two or three times a day for the past month and it gets better every time.
I don’t think I’ll ever get enough of Stepchild. But then Sick And Tired really rocks. And Blues Like Midnight... aw, every track is brilliant!
One girl who’d really love Rock and Roll Time is Natty Smalls, the bullet-bra-wearing rockabilly heroine of Polka Dot Dreams by Julia Douglas. Click here to read the customer reviews of this vintage clothes-clad rockabilly romance.
Labels:
Jerry Lee Lewis,
Natty Smalls,
Polka Dot Dreams,
rock'n'roll
Saturday, 20 September 2014
Ireland's Own - The Last Dance
There's nothing like a surprise treat to brighten the day, so it was wonderful to open my post box this morning and find a copy of Ireland's Own... which contains the first story I've written for them. It's called The Last Dance, and the cover date is 26 September if you'd like to read it.
Thursday, 18 September 2014
George Hamilton IV - memories of a country star
![]() |
| George Hamilton IV 1937 - 2014 |
Woke to sad news this morning that George Hamilton IV died yesterday, following a heart attack at the weekend. Hamilton came to fame in the 50s, when he was the teen idol singer of A Rose And A Baby Ruth.
He went on to have 40 country hits, including the chart topping Abilene. His travels abroad earned him the title, The International Ambassador of Country Music. He was particularly popular in the UK, where he appeared at the first of the legendary Wembley Country Music Festivals and went on to host the BBC's TV coverage of that long-running event. He later played the part of narrator in Patsy Cline: The Musical on the West End stage and in several UK tours.
Over the years I interviewed George many times and was always impressed by him as a person and performer. In the Patsy Cline musical, for instance, his co-star Sandy Kelly was outstanding as Cline. But Hamilton stole the show with his smooth, seated performance of A Rose And A Baby Ruth. At the song's climax, he smoothly slid a Baby Ruth - an American chocolate bar - from his pocket and with that small but perfectly timed action proved he was worth his weight in theatrical gold.
I first interviewed George at a hotel in Croydon. I was a young music writer and wore a leather biker jacket with a painting of Jerry Lee Lewis on the back. George never forgot that jacket. In 2012, I bumped into him backstage at the revived Wembley country festival and the first thing he said was, “I remember that jacket you used to wear...”
The festival had some big names on the bill including Reba McEntire and Lonestar. But the two moments I remember best both featured George. The first was a moving duet on Me And My Old Guitar, which he sang with Raymond Froggatt. Later in the show, westerrn swing stars Asleep At The Wheel brought George out as a guest to sing Abilene with them. The Wheel features some of the finest musicians in the world, their set had the best sound balance on the night and it was gratifying to hear Hamilton backed by such a superb musical arrangement.
Hamilton entered a recording renaissance in his latter years. In 2001 he recorded a stunning album of traditional Irish songs with his Patsy Cline co-star Sandy Kelly. More recently, he recorded albums of Texan honky tonk and country Gospel for acclaimed label Heart of Texas.
He toured the UK annually, often in a Patsy Cline-themed show with Kelly and also as a solo performer, often in churches and other small venues. I especially remember sitting in the front row for his tribute to Luke the Drifter, the Gospel music alter ego of Hank Williams, the Father of Country Music. Ever the gentleman, he introduced me to the audience and mentioned my recently published book about the Irish entertainer, Dominic Kirwan.
Hamilton was a compelling narrator and he held the audience spell-bound as he wove the story of Hank in with his songs. A couple of years ago, George recorded his show on the CD A Tribute To Luke The Drifter - The Other Side Of Hank Williams, and it’s one of the best country music recordings you could ever buy. The moment when he describes Hank’s death is spine-chilling.
More recently, Hamilton released a Christmas album of spoken stories set to music, called The Christmas Storyteller. Nobody could tell a story like George and he had me in tears on every other track. I urge you all to get a copy and listen to it fireside this Christmas Eve.
There will be many tributes to George and many will no doubt concentrate on what a perfect gentleman and all-round nice guy he was. I won’t argue with that. He was the nicest man I’ve ever met - and the only singer to send me a Christmas card every year with a personally written message thanking me for whatever reviews or articles I’d written about him. But amid the tributes to him as a person, I’d hate the world to forget that he was also a superb performer. As a narrator and spoken voice recording artist he was the best in the business.
George was also one of the hardest working men in the music business. He was due to tour with Kelly again next month in a second run of dates in the Patsy Cline 50th Anniversary Tour - a tour so popular it was in its second year.
He will be sorely missed. My condolences go to his childhood sweetheart and wife of 58 years, Tinky, and two sons, who include fellow country star George Hamilton V.
![]() |
| Patsy Cline |
Labels:
country,
George Hamilton IV
Wednesday, 17 September 2014
Christmas greetings at Roys of Wroxham
Writing magazine fiction, I'm used to working a couple of seasons in advance. Editors are currently looking for Valentine's Day stories.
But's that's work, not the real world. So I was shocked to walk into the food hall of Roys of Wroxham - the World's Largest Village Store - and see the face of Father Christmas grinning at me from a box of biscuits.
Surely shum mishtake, I thought. They must be clearing out last year's stock. But no. On the next aisle were chocolate santas and reindeer.
Guys, please! It's September. Autumn's barely started. I don't want to sound like Scrooge but can't we confine Christmas to winter at the least? Just saying!
Saturday, 13 September 2014
Kathy Bates grows beard!
Here's Kathy Bates as you've never seen her before - as a bearded lady in the new series of American Horror Story: Freak Show. Her co-stars include a strong man, a lady with two heads and another with three breasts, in a series set in a carnival of the bizarre in 1952. The show debuts October 5.
But what's life like in a real life freak show? Read a full chapter on the Circus of Horrors and the history of freak shows, including a step-by-step guide on how to swallow a sword (yikes!) in Circus Mania - The Ultimate Book for Anyone Who Dreamed of Running Away With The Circus by my altered ego Douglas McPherson. Click here to buy from Amazon the book the Mail on Sunday called "A brilliant account of a vanishing art form."
Tuesday, 9 September 2014
Subscribe to:
Posts (Atom)










